limited to 200 copies. epic, rapid-fire club bangers from dj ford foster on new label bad mums. napalm dance-floor heat that packs a solid punch. real tools for the floor, for the body and for those who like it rough!

the godzilla kebab label was started in 2012 by sames, is based in saint-petersburg, russia and now serves up its 6th ep, a four track affair that calls on various artists from across the world. quintessentials associate andy ash, label boss sames, sam williams (aka chamboché) and sam halsall (elevator) come together as ampers& and finally replika are the names who turn in one tune each with the results making for fresh house listening. bad cat is the first jam and it comes from sames.
big with: laurent garnier, the revenge, red d, jef k, ian pooley, ugly drums, ...

the flammable joey kays deep side turn on the light at troubled kids corner. altered tempos for bad boys … taste it.

nach dem erfolg von -drink the sea- und der 2011 folgenden ep -we can make the world stop- (beide auf dem eigenen label glass air veröffentlicht) katapultierte sich die band auf die oberen ränge der tourenden live-acts im bereich dance-music. dazu gehörten schlüsselspots auf major festivals, wie coachella, lollapalooza und electric daisy carnival. the glitch mob absolvierten ebenfalls schon eine eigene headline-tour durch die usa, europa (koko, brixton electric) und australien und verkauften dort prestigeträchtige venues aus. im februar 2014 kam ihr neues album -love death immortality-, was neue territorien erkunden, weniger introvertiert, aber trotzdem die glitch-mob-essenz wahrend.
limitiertes record store day bundle bestehend aus 2x12 inch + 10 inch auf mehrfarbig marmoriertem vinyl plus downloadcode.

the story behind this record begins in 2004 on newbury street in boston massachusetts. juice belushi founding member paul foley is dressed head to toe in 80s regalia, including vest, fingerless leather gloves, fedora and chain connecting nose-ring to ear pierce. its like a scene out of michael jacksons bad, minus the dancing. at his feet is a boom box blasting freestyle and 80s electro-funk, hes handing out mix cds. needless to say we were intrigued!

limited edition of 230 hand-numbered & stamped copies, vinyl only, no repress.

special sales pack for all you ware lovers out there - contains 3 classic releases
- ware078: schaffhäuser & friends - unequal equality part 2
- ware084: schaffhäuser & xhin - the revenge of the imperial sauce
- ware093: ziggy kinder - barboom

oh yes, this a heavyweight bad boy on gamm from french beatmaker/producer izem. after his extensive travels around the globe the sound on the ep is influenced by africa, cuba as well as the middle east.
itt is an electronic take on a classic fela joint, celia (cruz) goes along a similar route but on the latin tip. both are pretty nasty and a near perfect marriage between futuristic productions and raw retro samples. finishing off the ep we get served a slice of arabic boogie using hipnotics hard to find boogie gem *are you lonely* and some fierce middle eastern vocals.

we’re really excited about this unusual ep from the unusually talented photomachine, his first outing on wicked bass. ‘black motorcycle’ a dark but deep number, measuredly working its way down into to a solid groove before it lifts its eyes skyward for a breakdown made up of delicate synthwork. ‘good news…bad dope’ is a more skittish cut, with its percussive elements laying low in the mix, whilst circling synths provide a menacing mood that juxtaposes itself with a well-placed vocal sample.

jazz & milk is back with a brand new compilation series featuring previously unreleased tracks by international label artists, friends & family! the 6 track *footprints ep* offers a small foretaste of the forthcoming full-length compilation to be released in april 2014.

nice price deal !!! following the very well-received taki 183 (popular with artists as diverse as james murphy, dj mehdi, erol alkan and james holden), cocktail citron marks the 2nd dye album release on paris based tigersushi, incl. the single shes bad feat. the legendary electro pharaoh egyptian lover.

completely unique music in its own cosmos, the first long player from the sibylline panoram. experiments in evocative soundscapes, minimal rhythms and mood. hand printed sleeves. tipped on heavyweight card sleeve. screen printed by house of traps. no repress, limited edition, download code included.

brand new album from legendary rapper eminem featuring the hit singles *berzerk*, *rap god* and *the monster* along with *survival* the official song of call of duty: ghosts. executive produced by dr. dre & rick rubin. comes as double 12 inch vinyl in gatefold sleeve.

nice price deal !!! mit seiner mischung aus juke, electro, dubstep, ghetto-house und jeep-rocking hip-hop erstellten bass musik zum tanzen zwingt oder man sich die unterlippe wund beißen müsste.

paxton fettel drops the follow up to not bad for a tenner e.p – and it is tidy like your nans lounge. *jets* gets set to disembark on a paxton trip to a hidden place, and because it rhymes it obviously takes you to space. a secret spot that you only get to see once in a while when the tide is right.. dominating drums demand moves: bust a simple sinking throb, creating a cosmic divulge.

following their seriously strong debut release from rising talent & label mastermind that man monkz we have an absolutely superb duo of reworks (and dubs) from the man himself & chicago polymath khalil anthony, an author, musician and celebrated collaborator in theatre productions, including emmy award winning broadband series entitled, itsallinyourhands.com.

2015 repress! transparent vinyl. part 1 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.

top-compilation mit allen neun 50 weapons remix-maxis, die fast komplett alle erstmals auf cd erscheinen, in chronologischer reihenfolge. das tracklisting enthält einige der besten produzenten elektronischer musik: von moderat ueber robert hood bis marcel dettmann, von chris liebing ueber legowelt bis modeselektor. als weiterer bonus erscheinen vier bislang unveroeffentlichte, exklusive top-remixes auf beiden formaten.

squarehead is the latest young producer to sparkle on shabby doll, with his *bats & stuff* ep delivering yet more bump and wallop for the discerning house head. otherwise known as oliver ledger, squarehead is possessed of a precocious talent – his debut *keep it moving* ep on bad taste was a juno download number one, while his records have won hard-earned airplay on radio one thanks to supporters like toddla t and skream – and with dj appearances across europe plus his own 5andseven label, he is right at the heart of sheffields current underground scene.

der rock n roll hall of fame -ausgezeichntete buddy guy gehört mit seinen 75 jahren sicherlich zu den bekanntesten und typischsten vertretern des electric blues, sein einfluss auf das blues-genre sowie auf bedeutende gitarristen der rockmusik wie jimi hendrix, stevie ray vaughan.

way down into south america deepness theres a city named cordoba. inside this city dwell the rationalism family and thru this family members imaginary, beats of all sorts are evoked, thus came crudeza cordobesa a superb compilation, including four proper argentinian gentlemen and one amazing paraguayan

the album matangi feat. come walk with me, bring the noize & y.a.l.a

eminem’s 1999 hit-lp, incl. “my name is”, “guilty conscience” and “i’m shady”.

thirteen fresh remixes of timeless classics by donna summer on double 12 inch vinyl in gatefold sleeve.

back in stock , classic house

in this time of age where it seems many are slowing down the bpm on tracks and releases it makes us extra proud and happy to send you another fast and xtrm hardcore monster!

2x12inch lp gatefold, blue vinyl (a), white vinyl (b), printed inner sleeve,! the duos long-awaited comeback was followed by critical acclaim and a series of live performances. while playing festivals in ibiza, georgia, denmark and the faroe islands last summer, john guldberg and tim stahl took the time to put the finishing touches on their upcoming release: uptimistic music, a double album featuring vol.1 and a second record of unreleased material.

greatest hits re-press of the out-of-print first two voodoo down releases. both a-side works originally appeared on vdr001 and both b-sides originally appeared on vdr002

since his 2011 debut lp *bible eyes*, psutka has been busy with various studio production projects as well as recording and touring with his side-project hiawatha. his return as egyptrixx takes the form of a multi-media collaboration with berlin-based visual artist a.n.f. (andreas fischer). together the pair focused on a process - a set of meaning-through-reduction principles applied to both sound and video - with atmosphere, repetition and texture given priority over traditional ideas of narrative and song structure.

after the success of the fantastic album, atomic age, no.19 music released recently from canadian musical talents my favorite robot, the label has decided to enlist four acclaimed producers to provide remixes of key tracks. detroit bad boy jimmy edgar, chicagos kate simko and legendary techno producer mr. g all appear on this great ep.

4 track sampler of classic and/or previously unreleased music by screamin rachael cain of trax records. the unyielding and legendary trax records and artist/label-boss, screamin rachael, is back on wax - this time with four essential and rare tracks from her album, *queen of house*.

acid diaper as he was descriped by the prspct crew earlier this year: there is quite some mystery surrounding this new producer. even us at prspct hq have no idea who he is and where he is from. he has chosen to keep his identity secret to the world. kind of like batman but instead of fighting bad people this vigilantes goal is to terrorize the world with pure audio violence. 4/4, acid, gabber dnb designed to torture the average mainstream music listener. however, us deranged individuals at prspct hq fucking love it and can assure you. his tunes rock out hard!

after his epic split with black deer, torn hawk comes back with a proper four track 12 inch, opening with an almost balearic/tropical, someone put something in my drink and i am melting house cut. trapdoor returns to wyatts skewed after school special add cali-speed freak bastard child drum machine/guitar lush not lushness. we get more end-titles on the b-side, as both songs could be the soundtracks for a night hanging in a parking lot drinking boxed wine and snorting ajax while auxilary police circle, threatening to harsh your mellow ... good times to say the least.

its been a big year for breach, a.k.a. ben westbeech. his track jack hasnt just blown up on danceoors across the globe: its laid waste to them. in the process, jack got to number 9 in the uk charts. not bad considering westbeech has always seen breach as an underground thing.

mr leroy smart, the self proclaimed don, tells it like it is - every song a story in itself.

after several years in the wilderness- perpetual speculation to his identity and numerous botched attempts at naming the man (or woman) behind the bear- finally a physical yolo bear release is available - 4 surefire club tracks that are as at home in jersey hood spots as they are in scottish basement clubs or luxurious european rooftop parties. opener bad bxtches starts things off at a dynamic pace- before that good good smooths things out like a hyperactive love ballad. show and tell features enhanced slick talk from nycs chippy nonstop before we are finally serenaded by the romantic intentions of freeki ho. add to this the yolo bear mantra dj tool and we have a complete package that provides us with a great introduction to the most smart/casual bear in the mens department.

end of level boss records is a joint project from tusk and cyclonix celebrating the world of video game technostalgia through electronic music. end of level boss 1 ganondorf. ganondorf is the humanoid form of ganon, the ultimate embodiment of evil and hatred, the nemesis of link, and the final boss in many of the legend of zelda games. ganondorf is a formidable sorcerer and a shapeshifter. his hatred is so intense that he can survive even the total obliteration of his body and remain conscious. an ultimate bad ass.

audiolith - musical luckybag with a masterplan. ten years from now, back in 2003 the label started as musical one-man-show without any kind of business plan. a decade has passed since then and audiolith grew into a proper company with two associates, employees, office, online mailorder store and not less than 200 releases under its belt. but still some things never change, especially when it comes to release politics. no matter what ever style comes in whenever the boss likes it there will be a release. no compromise, no fear of failure that is what audiolith is all about and lars lewerenz is, has been and stays the musically approving authority, no matter if we talk electropunk, drum n bass, indie or punkrock, hiphop, trap, deep. emotin-driven house or electropop. his widely varied taste is the reason why audiolith still remains fresh and surprising a musical luckybag, but one with a masterplan. now the year is 2013 and audiolith is still loved by many - and hated by some for giving away golden gifts to fans instead of waiting for presents itself.

the experience continues - on double 12 inch vinyl with downloadcode included.

third part with more pounding underground techno

nach dem electro-pop der debütsingle bad kingdom folgt mit gita eine auskopplung mit einer introvertierteren, leicht melancholischeren ausrichtung, die man nicht mehr aus dem kopf bekommt.

deep pulsating techno straight out of london. ian axide drops his old street on atphase. underground slammer.

triple vinyl pack from the dilek camp for a special price, contains these eps:
- dilek010: franco bianco & nacho benedetti - jorge drexler remixes (white vinyl)
- dilek 012: jose wated & encebolladoman - satisfy my soul (red vinyl)
- darek 015: secret island festival - the 2012 compilation (yellow vinyl)

kasket (aka charlie baldwin) returns to apollo with his second ep. warm regards, a collection of four songs left to simmer with traces of ambient, jazz, and dance rhythms, opens in dramatic fashion with a majestic title track of billowing synths and plaintively struck chords that serves as an ideal introduction to kaskets most realised work yet.

für clark bilden seine remixes die spannbreite an unterschiedlicher musik ab, die er in den letzten zehn jahren veroeffentlicht hat. mit einem unterschied: sie wirken geloester, weil man beim umgang mit material anderer kuenstler mehr freiheiten genießt

fleetwood mac is a band with many faces. in contrast to their poppy sound of the 70s, fleetwood mac actually started out in the sixties as a psychedelic blues band under guitarist peter greens lead.
pious bird of good omen was originally released in 1969 as a compilation of the bands bluesy roots: their first four uk singles and their b-sides and two tracks by bluesman eddie boyd with fleetwood mac backing. the albums sound is laidback, down & very dirty, featuring scorching cover versions of little willie johns >need your love so bad< and robert johnsons >i believe my time aint long<. the b-side features the international hit single >albatross< and peter greens composition >black magic woman<, the latter being popularized by santanas version in 1970. this album is a must-have for blues fans. anyone interested in the roots of fleetwood mac might discover they are essentially a totally different band than one might think.

the seventh instalment in lo sheas series of 10 vinyl only releases on seaghdha. you know by now how this goes - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house. vasquez leads the charge here, less about the legendary captain of the soundfactory, and more the soundtrack to a drug deal gone bad in downtown miami. like her flails around a bowel troubling low end and crisp snare double act, piling on the pressure with an unrelenting groove and some deftly applied distortion. elsewhere 365247 is in more familiar lo shea / seaghdha territory, with some expertly manipulated, atmospheric sampling laid over a spare, shuffle-happy herbertesque workout. finally flash gives us a glimpse into sleepless basement, inhabited by addled humanoids, playing glass bottles.

>simple setup< in fact, this fine tune could have the capability of becoming a true >summer hit< – unfortunately we will release it not until september 2013. but maybe you like its loose and uplifting atmosphere anyway. christopher rau must have produced this good-humoured work with a big smile in his face. >save the energy< attentive boys and girls surely realize that we made a misspelling on the label! so what! more unlucky would be if we release a bad track. but christopher turns out in an experienced way what he knows best: relaxed deep house with a melancholic touch.>athens< what a rumbling tune! one definitively should play >athens< on a good sound system to enjoy its profound sub bass. and dear djs, please dont underrate it just because we placed it on position b2. played at the right time this track can work on the floor as well as the other ones.

2013 repress! sven väth & dave clarke chart position 1!!!!! legendary frankfurt based electro and techno producer anthony rother (psi49net) returns on his brandnew & hot datapunk imprint. dont miss it